All Hallow’s Read

It’s strange to me what a big deal Halloween has become. It’s now a major holiday for retailers, with a 2011 survey by the National Retail Federation estimating Americans spend $7 billion on the holiday (we’re not the only ones; this Ottawa Sun article notes Canadians spend about $300 each on Halloween).

I’m not that into it myself. But I like Neil Gaiman‘s idea, which he first posted on his blog in 2010: “I propose that, on Hallowe’en or during the week of Hallowe’en, we give each other scary books. Give children scary books they’ll like and can handle. Give adults scary books they’ll enjoy.”

This “modest proposal” has grown into All Hallow’s Read, a movement to give and read books for Halloween. If you’re not sure you like scary stories, widen your horizon a bit and read something that scares you but might not be filed under horror (political ads are certainly both plentiful and scary this year). For fans of teen dystopia, why not share Shirley Jackson‘s short fiction, including “The Lottery,” published in 1948. In 2010 The New Yorker called it  “perhaps the most controversial short story” the magazine has published. It won’t scare you in the slasher-film way; it’s thought-provokingly disturbing and something Hunger Games fans might appreciate.

Gaiman has posted lists of suggested books from various sources and for various ages as well as printables for celebrating All Hallow’s Read’s. One cool link:  print a mini book version of The Raven to fold and share. Which brings me to New Hampshire’s Big Read, organized by the NH Center for the Book as part of the National Endowment for the Arts Big Read program, and focused on the works of Edgar Allan Poe this fall. Find out more about Poe programming at libraries around the state here.

Advertisements

Movies and books

Last week’s Shelf Renewal web crush of the week is “Based on the Book” — a terrific project of the Mid-continent Public Library in Missouri. Last year when I worked in a college library I lamented the number of students who came to the reference desk asking for the movie versions of books they’d been assigned. I love movies, but I worried students were seriously missing out by not reading the books.

I still believe that, but of course it works the other way too — people read things they might not have because of interest in the adaptation.  I picked up Cloud Atlas like many other people after the film’s previews caused a buzz and a boost in the book’s sales. Both my teens are very excited about The Hobbit film and one of them is reading the book now. Both my husband and my daughter have read Sir Arthur Conan Doyle’s stories as a result of enjoying adaptations of Sherlock Holmes on television or at the movies.

Sometimes I’ve sought out a book I hadn’t read before because I’ve enjoyed the Masterpiece version — for example, The Cranford Chronicles by Elizabeth Gaskell. I hope lots of people tuning in to Half the Sky on PBS this week will also read that very interesting, shocking, and uplifting book.

Even younger kids can enjoy the film-book connection and sometimes, a movie might be a fun incentive for encouraging a reluctant reader to finish a book. Kidsread.com’s “Books on Screen” is a good resource for the younger set.  For film buffs, arguing the merits of movies based on books is endless fun; this blog post by Beth Carswell at AbeBooks is a starting point for a discussion.

My town’s community wide read and our state Center for the Book’s “Big Read” based on the NEA program both incorporate films related to the book selection. I’ve often thought a summer program inviting teens to create short films (book trailers? 15 min. versions of classics? ) might be fun. Younger kids might like to make book/movie posters.

How does your library use films to drive interest in books? Do you create displays related to popular films? Host film/book discussions?